Ozu deploys his trademark low camera position and observational static shots in capturing the ineffable impermanence, restrained tenderness, laconic humor and undramatic silence of life.
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IMDb Top 230第一部淩厲酣暢第二部在節奏上緩慢很多起初略有不適但第一部主題是恨第二部主題是愛屬合理調整這顯示出Quentin Tarantino不純為觀眾拍戲而是能牽著觀眾走的導演Uma Thurman一場活埋戲很精彩比去年《撸撸社》的Ryan Reynolds好得多